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theatreVOICE
Edinburgh 2008: Ed Bartlam and Charlie Wood, co-directors of the Underbelly venues, give their overview of 2008's underperforming Fringe - and outline what needs to be done to improve the state of play. Dominic Cavendish quizzes.
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EDINBURGH 2008: Philip Fisher joins guests Dominic Cavendish and Mark Fisher to weigh up the highs and lows of the Edinburgh Fringe (and International festival) towards the end of the final week.
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theatreVOICE
Shakespeare: Hamlet. Gregory Doran who directs David Tennant in Hamlet at the RSC in Stratford-upon-Avon and London this autumn talks to Heather Neill about the play and his production.
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theatreVOICE
Edinburgh 08: Jonathan Mills, the director of the Edinburgh International Festival, talks to Philip Fisher about this year's programme and its embrace of Europe's expanded frontiers, including the Polish revival of Sarah Kane's 4.48 Psychosis.
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theatreVOICE
Right to reply. Director Katie Mitchell answers criticisms of her current multimedia work, ...some trace of her (National) and Waves (National/Broadway), as well as of her 2006 production of Chekhov's The Seagull (National), and explains her working methods to Aleks Sierz. Recorded at the National Theatre.
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theatreVOICE
Focus on acting (1/2). Actor and teacher Bella Merlin, author of The Complete Stanislavski Toolkit (Nick Hern, 2007), talks to Aleks Sierz about the importance of the ideas of Konstantin Stanislavski for performance today. Recorded at Dewynters, London.
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theatreVOICE
Focus on acting (2/2). Actor and teacher Bella Merlin, author of The Complete Stanislavski Toolkit (Nick Hern, 2007), talks to Aleks Sierz about how to recognise honest acting both on stage and on film. Recorded at Dewynters, London.
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theatreVOICE
EDINBURGH 2008: Mark Watson, who is appearing on the Fringe with All the Thoughts I've Had Since I Was Born at the Pleasance talks to Philip Fisher about his life in comedy.
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theatreVOICE
EDINBURGH 2008: Playwright and perfomer Owen O'Neill talks to Philip Fisher about his Fringe hit in the making - Absolution at the Assembly Rooms on George Street; a monologue about paedophilia, the priesthood and vigilante vengeance.
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theatreVOICE
Clean Break Special. Playwright Chloe Moss, author of This Wide Night (Soho and tour), and its director Lucy Morrison, head of new writing at Clean Break, talk to Aleks Sierz about their work with women prisoners.
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theatreVOICE
Interview: David Eldridge (1/2). The playwright talks to Heather Neill about the West End revival of his 2000 drama, Under the Blue Sky (Duke of York's), and about his background and career.
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theatreVOICE
Interview: David Eldridge (2/2). The playwright talks to Heather Neill about the West End revival of his 2000 drama, Under the Blue Sky (Duke of York's), and about what's wrong with the new writing scene in Britain today.
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theatreVOICE
Asian Voices. Playwright Anupama Chandrasekhar and actor Lolita Chakrabarti talk to Suman Bhuchar about the taboo-busting Free Outgoing (Royal Court), which is now touring to the Traverse, Edinburgh.
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theatreVOICE
Interview: Rebecca Lenkiewicz. The playwright talks to Philip Fisher about her history-making debut at the National's Oliver theatre with Her Naked Skin, a new history play all about the Suffragettes.
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theatreVOICE
Theatrevoice @ Latitude: Josie Rourke, artistic director of the Bush theatre, chats to Dominic Cavendish about Fifty Ways To Leave Your Lover, which hits London after wowing festivalgoers in Suffolk.
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theatreVOICE
Interview: Chris Grady. The founder of Musical Theatre Matters (MTM: UK), which champions new musicals in Britain, talks to Peter Huntley about the state of new work in the UK, and about the George Square Theatre, a venue dedicated to musicals at the Edinburgh Festival.
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theatreVOICE
Interview: Roger Allam. The actor who plays German impressario Max Reinhardt in Michael Frayn's Afterlife (National Theatre) talks to Philip Fisher about the role, and about his career, in which he has played other historical figures, from Adolf Hitler to Willy Brandt.
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theatreVOICE
Interview: Roger Allam. The actor who plays German impressario Max Reinhardt in Michael Frayn's Afterlife (National Theatre) talks to Philip Fisher about the role, and about his career, in which he has played other historical figures, from Adolf Hitler to Willy Brandt.
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theatreVOICE
EDINBURGH FESTIVAL 2008: Vicky Featherstone, artistic director of the National Theatre of Scotland, talks to Mark Brown about one of the highlights of the International Festival, the premiere of David Harrower's 365 - about the journey of vulnerable and damaged young people out of the care system.
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theatreVOICE
Focus on publishing (1/2). Theatre book publisher Nick Hern, whose company celebrates its 20th anniversary this year, talks to Aleks Sierz about the highs and lows of the business.
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theatreVOICE
Focus on publishing (2/2). Theatre book publisher Nick Hern, whose company celebrates its 20th anniversary this year, talks to Aleks Sierz about the highs and lows of the business.
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theatreVOICE
Interview: Gregory Burke. The playwright talks to Philip Fisher about his mega-hit Black Watch (National Theatre of Scotland, 2006), which has just marched triumphantly into London's Barbican theatre, on its world tour.
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theatreVOICE
Interview: Gregory Burke. The playwright talks to Philip Fisher about his mega-hit Black Watch (National Theatre of Scotland, 2006), which has just marched triumphantly into London's Barbican theatre, on its world tour.
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theatreVOICE
Interview: Mike Alfreds (1/2). The legendary director talks to Aleks Sierz about his new book on acting, Different Every Night (Nick Hern), and remembers his experiences of heading Shared Experience from 1975 until 1988.
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theatreVOICE
Interview: Mike Alfreds (2/2). The legendary director talks to Aleks Sierz about his new book on acting, Different Every Night (Nick Hern), and remembers his experiences of heading Shared Experience from 1975 until 1988.
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theatreVOICE
West End Review - Summer 2008: a bumper crop of shows are covered in this last edition before the summer break. Revenger's Tragedy (National), Afterlife (National), The Chalk Garden (Donmar Warehouse) & Black Watch (Barbican). Charles Spencer, David Benedict and John Nathan assess. Mark Shenton hosts. Recorded at Dewynters, London.
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theatreVOICE
Interview: Melly Still. The award-winning director and designer talks to Heather Neill in detail about Thomas Middleton's The Revenger's Tragedy, revived at the National Theatre. More info: www.nationaltheatre.org.uk.
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theatreVOICE
Interview: Declan Donnellan. The artistic director of Cheek by Jowl talks to Heather Neill in detail about his production of Shakespeare's Troilus and Cressida - presented as part of his company's residency programme at the Barbican.
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theatreVOICE
Interview: Andy Arnold. The artistic director of the Tron, in Glasgow, talks to Mark Brown about his ambitions for the theatre, his long stewardship of The Arches and thoughts on the Scottish theatre scene.
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theatreVOICE
Interview: Catherine Johnson. The mega-successful playwright/ creative force behind the international smash-hit Abba musical Mamma Mia! talks to Philip Fisher ahead of the show's big-screen release.
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theatreVOICE
Interview: Steve Waters (1/2). The playwright tells Aleks Sierz about his new play, Fast Labour (Hampstead/West Yorks Playhouse), which is about Victor, a migrant worker from the Ukraine.
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theatreVOICE
Interview: Steve Waters (2/2). The playwright tells Aleks Sierz about his running of the MPhil in Playwriting at Birmingham University, and discusses the state of new writing in Britain today.
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theatreVOICE
Shakespeare: The Merry Wives of Windsor. Director Christopher Luscombe talks to Heather Neill about staging Shakespeare's bourgeois comedy at the Globe - and the play's affinities with British sitcoms such as Fawlty Towers. More info: www.shakespeares-globe.com.
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theatreVOICE
Interview: Neil LaBute. The top American playwright and director talks to Philip Fisher about his controversial new play, Fat Pig (Trafalgar Studios), his career in film, the joys and perils of New York theatre, and his upcoming Reasons To Be Pretty on Broadway.
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theatreVOICE
West End Review: Mark Shenton (Sunday Express) invites his guests Kate Bassett (Independent on Sunday), David Benedict (Variety) and Charles Spencer (Telegraph) to cast a critical eye over The Pitmen Painters (National), That Face (Duke of York's), The Deep Blue Sea (Vaudeville), Good Soul of Szechuan (Young Vic) and Rosmersholm (Almeida). Recorded at Dewynters, London.
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theatreVOICE
Symposium: The Theatre of Howard Barker (excerpt). An illuminating discussion of the playwright's work - chaired by the critic Mark Brown; with contributions from Howard Barker, Hugh Hodgart (Head of Acting, RSAMD) & Liam Brennan (actor, co-director, with Hodgart, of an RSAMD revival of Wounds to the Face). Recorded at the Royal Scottish Academy of Music and Drama, Glasgow, 24 May, 2008; recording made and conveyed by www.zawrapp.co.uk.
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theatreVOICE
Interview: James Macdonald (1/2). The director talks to Aleks Sierz about Peter Handke's 1992 classic The Hour We Knew Nothing of Each Other (National), a 100-minute play in which not a word is spoken.
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theatreVOICE
Interview: James Macdonald (2/2) The director talks to Aleks Sierz about Sarah Kane's posthumous 4.48 Psychosis (Royal Court) and about his recent production of Caryl Churchill's Drunk Enough To Say I Love You. Excerpt.
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theatreVOICE
Interview: James Macdonald (1/2). The director talks to Aleks Sierz about Peter Handke's 1992 classic The Hour We Knew Nothing of Each Other (National), a 100-minute play in which not a word is spoken.
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theatreVOICE
Interview: James Macdonald (2/2). The director talks to Aleks Sierz about Sarah Kane's posthumous 4.48 Psychosis (Royal Court) and about his recent production of Caryl Churchill's Drunk Enough To Say I Love You. Excerpt.
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theatreVOICE
Interview: David Farr. The artistic director of the Lyric, Hammersmith, talks to Dominic Cavendish about his staging of the fiftieth anniversary production of Harold Pinter's The Birthday Party, and about the play's personal significance for its author.
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theatreVOICE
Interview: Roxana Silbert. The artistic director of Paines Plough new writing combo talks to Philip Fisher about Mark Ravenhill's epic 16-play cycle, Shoot/Get Treasure/Repeat, and about the challenges and opportunities of running a touring company.
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theatreVOICE
STATE OF PLAY (1/2) Guardian critic Michael Billington considers the state of the play, with a panel of industry insiders: Almeida artistic director Michael Attenborough, producer Sonia Friedman, director and writer Peter Gill, director Edward Hall and playwright Roy Williams. Part of Society of London Theatre's 'Celebrate the Play' initiative, marking SOLT's 100th anniversary. Recorded at the Royal Court.
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theatreVOICE
STATE OF PLAY (2/2) Q&A session as Michael Billington consults the panel: Almeida artistic director Michael Attenborough, producer Sonia Friedman, director and writer Peter Gill, director Edward Hall and playwright Roy Williams. Part of Society of London Theatre's 'Celebrate the Play' initiative. Recorded at the Royal Court.
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theatreVOICE
Shakespeare: the History Plays (2/2). As the RSC's monumental Histories cycle nears the end of its run at the Roundhouse in London, its master-planner talks to Heather Neill about the company's awfully big adventure. Also: listen to the first part of this discussion: www.theatrevoice.com/listen_now/player/?audioID=480. More info: www.rsc.org.uk.
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theatreVOICE
West End Review: Mark Shenton (Sunday Express) asks David Benedict (Variety), Charles Spencer (Daily Telegraph) and Matt Wolf (International Herald Tribune) to share their verdicts on Gone with the Wind (New London), Fram (National), Harper Regan (National) and Small Change (Donmar). Recorded at Dewynters, London.
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theatreVOICE
Interview: Peter Gill. The veteran director and playwright speaks to Aleks Sierz about his own production of his 1976 play, Small Change (currently revived at the Donmar), and about his early career at the Royal Court in the late 1950s and 1960s.
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theatreVOICE
Interview: Peter Gill (2/2). The veteran director and playwright speaks some more to Aleks Sierz about his own production of his 1976 play, Small Change (currently revived at the Donmar), and about his early career at the Royal Court in the late 1950s and 1960s.
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theatreVOICE
Interview: Peter Gill (1/2). The veteran director and playwright speaks to Aleks Sierz about his own production of his 1976 play, Small Change (currently revived at the Donmar), and about his early career at the Royal Court in the late 1950s and 1960s.
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theatreVOICE
Theatre Book Prize 2007 Ian Herbert, Chairman of the Society for Theatre Research, introduces Howard Loxton, creator of the prize, judges Jeffery Richards, Sian Phillips and Claire Allfree, plus presenter Donald Sinden.
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theatreVOICE
Theatre Book Prize 2007 Ian Herbert, Chairman of the Society for Theatre Research, introduces Howard Loxton, creator of the prize, judges Jeffery Richards, Sian Phillips and Claire Allfree, plus presenter Donald Sinden.
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theatreVOICE
WEST END REVIEW: Mark Shenton (Sunday Express) asks David Benedict (Variety), Charles Spencer (Daily Telegraph) and Matt Wolf (International Herald Tribune) to share their verdicts on God of Carnage (Gielgud), Never So Good (National) and Jersey Boys (Prince Edward). Recorded at Dewynters, London.
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theatreVOICE
Focus on youth theatre. Heather Neill talks to Roy Williams, Dennis Kelly and Lin Coghlan about their plays - Baby Girl, DNA and The Miracle - which are currently running at the National, and originated in the NT Connections festival of work for young people.
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theatreVOICE
Interview: David Pugh. The top West End producer, who has been responsible for hits such as Art, The Play What I Wrote, Equus and now Yasmina Reza's The God of Carnage (Gielgud), chats frankly to Philip Fisher about the art of being a theatre impresario.
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theatreVOICE
Interview: Sacha Wares. The director talks to Aleks Sierz about her production of debbie tucker green's latest, Random (Royal Court), and about her other stagings of this innovative and provocative playwright's work.
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theatreVOICE
Right to Reply. The Soho Theatre's Paul Sirett, co-translator of Dorota Maslowska's A Couple of Poor, Polish-Speaking Romanians, defends the play against critical brick-bats, and asks why British reviewers have a problem with foreign writers. Aleks Sierz quizzes.
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theatreVOICE
Interview: Terrence McNally. The US playwright talks to Suman Bhuchar about A Perfect Ganesh, nominated for a Pulitzer Prize in 1994 and now revived for a UK tour by Phizzical Productions. He also discusses other work including his controversial play about Christ, Corpus Christi.
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theatreVOICE
Interview: Leo Butler. The playwright talks to Aleks Sierz about his powerful new work, I'll Be the Devil (Tricycle), an RSC-commissioned response to Shakespeare's The Tempest, and about the state of new writing in Britain today.
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theatreVOICE
Interview: Dorota Maslowska. The cult 24-year-old Polish novelist, whose play A Couple of Poor, Polish-Speaking Romanians gets its UK premiere at Soho Theatre, chats to Dominic Cavendish. In Polish and English; Agnieszka Blonska translates.
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theatreVOICE
International theatre. Penny Black, founder-member of the Middle East Dramatic Arts Forum, reports on its recent symposium, which included contributions from Lenin El-Ramly (Egypt), Sawsan Darwaza (Jordan), Ziad Adwan (Syria), Sulayman al-Bassam (Kuwait) and Grid Iron. Aleks Sierz quizzes. More info: www.medaf.org.
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theatreVOICE
West End review. Brief Encounter (Haymarket Cinema), The Hour We Knew Nothing of Each Other (National) and Speed the Plow (Old Vic) are assessed by Matt Wolf (International Herald Tribune), John Nathan (Jewish Chronicle) and Andrew Haydon (Time Out). David Benedict hosts. Recorded at Dewynters, London.
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theatreVOICE
Interview: Fiona Evans. The author of the controversial play, Scarborough (Royal Court), tells Philip Fisher about her background in community theatre in Newcastle, and about how her play, which was an Edinburgh hit, was developed.
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theatreVOICE
Interview: Tim Fountain. The playwright talks to Aleks Sierz about his latest book, So You Want To Be a Playwright? (Nick Hern), creative writing, literary management and his plays, from Resident Alien to Sex Addict. Recorded at the Soho Theatre.
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theatreVOICE
SHAKESPEARE: Dominic Dromgoole. The artistic director of Shakespeare's Globe tells Heather Neill about the 2008 season, directing Lear and why the Globe needs contemporary plays. More info: www.shakespeares-globe.org.
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theatreVOICE
Interview: Willy Russell. The legendary playwright talks to Dominic Cavendish about his rewritten classic Stags and Hens (Royal Court Liverpool), and mulls over thoughts about living in Liverpool, working-class experience, and his smash hit Blood Brothers.
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theatreVOICE
Interview: Dominic Hill. The new artistic director of Edinburgh's Traverse talks to Aleks Sierz about his revival of Thomas Babe's 1978 psycho-thriller, A Prayer for My Daughter (Young Vic), and about his plans for new writing at the Traverse.
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theatreVOICE
Arts Council debate: Barbara Matthews, director of theatre strategy at Arts Council England, defends the controversial funding cuts, emphasises the good news in the recent review, and talks about new writing, peer review and excellence in British theatre. Aleks Sierz quizzes.
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theatreVOICE
Interview: Leanne Jones. The 22-year-old star of the hit musical, Hairspray (Shaftesbury Theatre), chats to Philip Fisher about her amazing leap into the limelight and about life behind the scenes of this surprising West End hit.
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theatreVOICE
Interview: Stephen Unwin. The artistic director of the new Rose Theatre in Kingston-upon-Thames talks to Heather Neill about the opportunities and challenges of running this unique space with no public funding.
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theatreVOICE
Interview: Leanne Jones. The 22-year-old star of the hit musical, Hairspray (Shaftesbury Theatre), chats to Philip Fisher about her amazing leap into the limelight and about life behind the scenes of this surprising West End hit.
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theatreVOICE
Cheek 3 - Declan D
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cheek 2: troilus/cressida
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theatreVOICE
cheek 1 - thersites
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theatreVOICE
Interview: Des McAnuff. The celebrated director of the London-bound Broadway hit, The Jersey Boys (Prince Edward Theatre), tells Philip Fisher about the show, as well as his time at the La Jolla Playhouse, the Shakespeare Festival at Stratford, Ontario, and Aaron Sorkin's The Farnsworth Invention. Recording quality: variable.
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theatreVOICE
Arts Council debate: Josie Rourke, artistic director of the Bush theatre, and Sam Walters, artistic director of the Orange Tree theatre, join the critics Robert Hewison - also representing the National Student Drama Festival - and Fiona Mountford (Evening Standard) to discuss the funding threats facing the sector. Dominic Cavendish hosts. Recorded at Dewynters, London.
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theatreVOICE
Interview: Barbara Baker. The author of Backstage Stories (Continuum) chats to Aleks Sierz about her new book of interviews, which is a behind-the-scenes look at the many different professions, from directors to wig-makers, that are needed in order to create a show. Recorded at Dewynters, London.
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theatreVOICE
Interview: Buddy Dalton. The alternative theatre impresario, who set up the New End fringe theatre in an abandoned morgue in 1974, talks to her grand-daughter Polly Pearson about the shows, finances and audiences of the 1970s.
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theatreVOICE
On criticism. Ronan McDonald, senior lecturer in Modern English Literature at Reading University and author of the provocatively titled The Death of the Critic (Continuum), talks to Aleks Sierz about recent trends in journalistic criticism - and in academic theory. Recorded at Dewynters, London.
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theatreVOICE
Asian voices. Jatinder Verma of Tara, Kristine Landon-Smith of Tamasha, Shobu Kapoor from Kali, and academic researcher Suman Bhuchar join Dominic Cavendish to talk about Asian theatre in the UK: past, present and future.
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theatreVOICE
NEW YORK SPECIAL Jill Paice, co-starring in the Kander and Ebb musical Curtains and soon to play Scarlett O'Hara in the musical of Gone With the Wind, talks to Philip Fisher in a dressing-room at the Al Hirschfeld Theatre. More info: www.gwtwthemusical.com.
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theatreVOICE
NEW YORK SPECIAL Jill Paice, co-starring in the Kander and Ebb musical Curtains and soon to play Scarlett O'Hara in the musical of Gone With the Wind, talks to Philip Fisher in a dressing-room at the Al Hirschfeld Theatre. More info: www.gwtwthemusical.com.
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theatreVOICE
NEW YORK SPECIAL David Cromer, director of the lauded chamber musical The Adding Machine, based on the 1923 Elmer Rice expressionist drama, talks to Philip Fisher, prior to its arrival at the Minetta Lane Theater.
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theatreVOICE
REVIEW OF 2007: Kate Bassett (Independent on Sunday), David Benedict (Variety) and Jane Edwardes (Time Out) join Mark Shenton (Sunday Express) to talk in-depth about the highs and lows of their reviewing year, from War Horse to Desperately Seeking Susan. Tell us what you enjoyed/hated - by leaving a comment below. Recorded at Dewynters, London.
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theatreVOICE
Review of 2007: Kate Bassett (Independent on Sunday), David Benedict (Variety) and Jane Edwardes (Time Out) join Mark Shenton (Sunday Express) to talk in-depth about the highs and lows of their reviewing year, from War Horse to Desperately Seeking Susan. Tell us what you enjoyed/hated - by leaving a comment below. Recorded at Dewynters, London.
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theatreVOICE
Focus on design. Anya Sainsbury, who set up the prestigious Linbury Biennial Prize for theatre design, talks to the Theatre Museum's Geoffrey Marsh about 20 years of helping young designers, and comments on this year's winners. More info: www.linburybiennial.org.uk; www.vam.ac.uk/tco.
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theatreVOICE
Focus on dramaturgy. Beccy Smith of the Dramaturgs Network and Richard Shannon of Polka Theatre and the Literary Managers Forum initiate Aleks Sierz into the mysteries of dramaturgy in British theatre today. More info: www.dramaturgy.co.uk; www.polkatheatre.com.
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theatreVOICE
Statement of Regret: An in-depth discussion of Kwame Kwei-Armah's new play, running at the National's Cottesloe theatre; hosted by Uchenna Izundu, with Anneesh Newby Wright and Darren Thomas. Recorded at the National Theatre; www.nt-online.org. First in theatreVOICE's new 'critical diversity' initiative.
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theatreVOICE
Interview: Paul Higgins. The director talks to Philip Fisher about his early career in TV and film, his experience of new writing on the London Fringe, and his time as supremo at Theatre 503. Plus: assisting on Neil Bartlett's Twelfth Night at the RSC.
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theatreVOICE
Interview: Michael Billington. The venerated Guardian theatre critic talks to Aleks Sierz about the lifetime of reviewing packed into his newly published survey of British post-war theatre, State of the Nation (Faber and Faber). Substantial excerpt.
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theatreVOICE
Interview: Angus Jackson. The director chats to Philip Fisher about the creation of the Blondie musical, Desperately Seeking Susan (Novello), and about directing Kwame Kwei-Armah in that writer and actor's own play, Elmina's Kitchen (National).
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theatreVOICE
Interview: Bijan Sheibani. The new head of the ATC (Actors Touring Company) talks to Aleks Sierz about his imaginative staging of Tarell Alvin McCraney's The Brothers Size, a hit for the Young Vic, and explains some of the Yoruba cosmology that underpins the play.
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theatreVOICE
West End Review (1/2). The National's sell-out production of Michael Morpurgo's War Horse is discussed by David Benedict (Variety) and Jane Edwardes (Time Out). Dominic Cavendish (Daily Telegraph) hosts. Recorded at Dewynters, London.
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theatreVOICE
West End Review (2/2). Thea Sharrock's revival of Caryl Churchill's Cloud Nine (Almeida) is discussed by David Benedict (Variety), Jane Edwardes (Time Out) and Aleks Sierz (Tribune). Dominic Cavendish (Daily Telegraph) hosts. Recorded at Dewynters, London.
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theatreVOICE
In rehearsal. In another behind-the-scenes installment from the Mercury Theatre, Colchester, actors Gina Isaac and Nadia Morgan talk about playing in Dee Evans's all-female revival of Shakespeare's Julius Caesar. More info: www.mercurytheatre.co.uk.
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theatreVOICE
In rehearsal. In the run-up to Dee Evans' all-female version of Shakespeare's Julius Caesar at the Mercury Theatre, Colchester, members of the creative team talk about the production. Here, Ansuman Biswas speaks to Luke O'Loughin about composing the score.
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theatreVOICE
Interview: John Retallack, artistic director of Company of Angels (www.companyofangels.co.uk), talks to Heather Neill about work for young people and the European dimension to his company's work.
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theatreVOICE
Shakespeare: Macbeth. Rupert Goold, artistic director of Headlong theatre company, talks to Heather Neill about his highly praised Macbeth, which stars Patrick Stewart and has transferred from Chichester to the Gielgud Theatre.
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theatreVOICE
Interview: Adrian Kohler. The designer who created the horses in the National Theatre's spectacular adaptation of Michael Morpurgo's War Horse speaks to Heather Neill about the show and his work for Handspring, the South African puppetry company.
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theatreVOICE
Interview: Robert Tanitch. The critic and writer talks to Philip Fisher about his latest, lavishly illustrated book, The London Stage in the Twentieth Century (Haus Publishing), his other publications about the stars of screen and stage, and his own plays.
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theatreVOICE
Interview: Dee Evans. The artistic director of the Mercury Theatre, Colchester, talks briefly about an all-male Coriolanus and an all-female Julius Caesar, running in rep there this autumn. Dominic Cavendish quizzes. More info: www.mercurytheatre.co.uk.